Sunday, August 7, 2011

ARTICLE: Can You Be Found?

Waldo wants to know where the heck are YOU?
Did you know that we live in a time where technology has almost rendered us unreachable? How do I know this? Well, try filling in for the people that work at The Lyndon Technique! Every time I take over the jobs of my associates - Michelle, Valerie and Justin - and call clients or potential clients back, it becomes an utter frustrating event.  And I thought calling the DMV was bad!

Are you reachable? Can you be found? Do you really think that an industry professional will stay interested if they have to track you down? How many job opportunities have you lost because you're hard to reach? The problem with that question is that you have no idea. It's hard enough to get opportunities in this business. Imagine if it was your agent, manager, producer, director or someone calling to book you.

I thought I'd compile a list of my eye opening experience when trying to call:

Mailbox full, sitting on hold listening to rap music, difficult to understand outgoing message, a wacky or 'too cool for school' outgoing message, a return call that's garbled because of a bad connection, no message service, answering the call like you just got out of bed or are hung over, a child or someone in the house answering your phone and you're nowhere to be found, a disconnected number with no forwarding number and a phone that picks up and then goes dead. I'm sure I've missed a couple, but you get the picture.

Your business begins at the front desk. Your phone and the way you answer the phone is the front desk. Whoever is at the "front desk" sets the first impression of your company. Make it easy on the people who need to get a hold of you. Run your business like a true business. Make people feel like they want to do business with you because you make their lives easier.

Here to help you guys. WHY? Because, I am YOU!



Cheers!
Amy Lyndon
CEO - The Lyndon Technique
http://thelyndontechnique.com
http://tltaccess.com - Download your FREE 4-Week Booking Kit!
http://www.imdb.me/amylyndon
818 760 8501

BOOKINGS for July 2011

The following clients of Amy's made July a big win for themselves! Check out previous months and then start your own success story by visiting www.LyndonTechnique.com


ALL THESE BOOKINGS FOR JULY!

Nadine Velazquez BOOKED a HUGE RECURRING GUEST STAR on HART OF DIXIE!

Justin Tinucci Booked the DISNEY Interstitial Series OUR TAKE and a Supporting Role in THE MUPPETS MOVIE!

Jennie Kamin Booked a Supporting Role in the Feature Film ROSWELL FM!

Lisa Gershuny Booked a Co-Star in BODY OF PROOF!

Marguerite Insolia Booked a Lead in the Feature Film FOXFUR, a Starring Role in the Film THE NIGHT BEFORE THE WEDDING and a Lead in the Feature Film HOLIDAY ROAD!

Sabrina Revelle Booked a Lead in the Feature Film BACK THEN and the Lead in the Film JUST ONE LOOK!

Corinne Spicer Booked a Supporting Role in the Feature Film GHOUL SCOUT ZOMBIE MASSACRE!

Mike Pfaff Booked a Series Regular in Comedic Untitled Pilot for Paramount and Starring Role in UH OH UFO for Funnyordie!

Maria Fagan Booked a Guest Star in WORLD'S MOST ASTONISHING NEWS!

Jodi Skeris Booked a National PROGRESSIVE Commercial!

Alton Willoughby Booked a Supporting Role in the Feature Film KILLING FRISCO!

Lauryn Story Booked a National BLUE CROSS ANTHEM Commercial!

Irina Skaya Booked a Supporting Role in the Feature Film DEATH OF THE SHEIK!

Dan Wiley Booked a Recurring 8 Arc Guest Lead in a Web Series!

Duane Avery Booked a Lead in the Film SINGULARITY!

Joshua and Dakota Bales Booked Lead Roles in an ABC Feature Film!

Sara Castro Booked the Series Lead in the Pilot HACIENDA HEIGHTS!

Ayesha Madison Booked a Guest Star in the Web Series THIS INDIE THING!

Brandon Killham Booked a National JIMMY DEAN Commercial!

Shirley Burns Booked a Supporting Role in the Film CYNTHIA UPSHAW!

Mariangela Pagan Booked a Supporting Role in the Feature Film THE MUPPET MOVIE!

Natalia Simone Booked a Promo for PHINEAS & FERB!

Anne Apra Booked a Lead in the Film VENOM!

Keevie Smith Booked a SIMMS VIDEO GAME Commercial!

Friday, July 22, 2011

ARTICLE: Get Your Juicy On!

You know what else is juicy? Oranges.
JUST DO IT! GET YOUR JUICY ON PEOPLE AND BOOK BIG!!!

Common, you know you love it. Why not commit to it? Why not go all the way with your feelings? Why not get dressed for the occasion and show up on time and go for it? You know they want you. You know you have the gift and the talent to make them say... Yes! Yes! So, why not do it? Why not put time and love into what you do? Why not just go there and take it? It's waiting there for you to take it. It's calling your name. Sound enticing?

I'm talking about your career. I'm talking about your dreams. You want it, right? Then go about it the correct way and be prepared. Get your juicy on. Have a plan of action. Show them what you're made of. Don't let some other person take what you want. Attack your opportunities. Don't let them pass you by. Taste it and go after it. Hit every thought. Set up every action, Know what you're doing. Know who you're talking to or about. Create your environment. Feel every moment and tell the absolute best story there is to tell. Expand your imagination and breathe in all the possibilities.

You sell it baby, and we will buy it! Give it all you got and walk away knowing that you were successful, interesting and juicy. You made it happen. You're the one to facilitate your dreams into reality. You're the captain of your ship. Just put up the sails and go.

Always here for YOU!

Amy Lyndon
CEO - The Lyndon Technique
818.760.8501
http://thelyndontechnique.com
http://www.imdb.me/amylyndon

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Saturday, July 16, 2011

ARTICLE: Tell Me About Yourself

Done right, you can be charming too. Like this guy.
Actors take meetings; it’s just a part of what we do. Whether it’s meeting an agent or manager, auditioning for producers, or just networking at a bar, you’re out there connecting with people and talking about your career. And, of course, the infamous question always arises:  “Tell me a little bit about yourself?”

Actors - Here’s the answer to that question, in the order of importance:

Interesting Fact or Story – Actors are storytellers, and the people we’re meeting are usually people who hire those that tell the best story possible. Imagine your interviewer as a 5-yr-old who needs to be entertained and the goal is to tell an interesting and funny story that also relates to your castability to let the buyer know how much money they can make on you. For example, I play a gentle nerd a lot, and so one story I use is how as a kid I would ask my parents to buy me Star Wars toys, but you see, I would never take them out of the box. So even at 8 I thought of myself as a collector! What a cute little successful nerd! Get it? Or you might tell them an interesting story about your parents and that they’re missionaries who work for the Red Cross. You’ve got to have a hook so that they remember you distinctly.

Education – A brief recap of your education helps your interviewer get a feel for what they can expect. If a prestigious university or school puts their stamp of approval on you, you’re golden. Always express your enthusiasm and relevance to the industry: “I just started private coaching with Amy Lyndon and I can see why so many of her clients book because she’s been doing wonders for me. I seem to be booking every audition I go out on.” If you’re looking to move into sit-com work, make sure you mention that you do stand-up or you’re in a comedy troupe or improvisational group. Let them know where and when they can come to see your work.

Numbers – Agents and managers love numbers – that’s what they make money on.  For example: “In just under 2 years, I Booked a hit TV show, a Series Lead with Paramount Distributing, and I have a Feature Comedy in Post Production with a 2012 Release. And my Web Series was just picked up for 13 more episodes!” They are not interested in the details! It tells them that you are a booker and in the game to make them money. No credits? Then list other accomplishments like great reviews from Theatre Productions and tell them what type of roles you play and how excited you are to move into television.

These 3 elements are the foundation to a successful Tell Me About Yourself. Keep in mind, there is a Casting Director (30 seconds) version and even a one-line meet-a-Producer-in-a-bar version. Make sure you take advantage of this in your career consultation at www.TheLyndonTechnique.com - Amy Lyndon is an expert at getting you ready for every meeting and audition!

This article is meant to take out some of the mystery behind this very important question. A great interview can make a huge difference and we at The Lyndon Technique are thrilled to give you the “Cheat Sheet” to your success.

Always remember, stay positive and know that you are awesome!

Let us help YOU succeed!!!



Cheers!
Justin Turner, Marketing Director of The Lyndon Technique
Amy Lyndon, CEO + Founder of The Lyndon Technique

www.TLTaccess.com - Get your FREE 4-Week Booking Kit!
www.TheLyndonTechnique.com

Monday, June 20, 2011

ARTICLE: Consistency Cures Anxiety | TLTaccess Members Only

Dude. Chill.
I don’t know about you, but choosing acting as a career choice has proven to be a bit stressful at times. I’ve spent tens of thousands of dollars on training and materials, and the industry-wide success-to-rejection ratio just plain sucks. So for me, it’s easy to get stressed and anxious about my career. However, I’d like to share with you the cure.

Consistency is the cure for anxiety.

When we take action everyday, it breeds a sense of purpose and momentum, and alleviates those feelings of helplessness and anxiety about our careers – or lack thereof. This article will help you nip those feelings in the bud forever.

CLICK to visit www.TLTaccess.com, join, and click on the Articles page to download & read the rest of the article!

Ok, guys, get on the ball and create the Plan! I promise you this: all the feelings of anxiety, doubt, stress, helplessness and confusion will disappear if you do exactly what this article tells you. You can apply it to every part of your life, and I challenge you to mark your calendar for the day you started working the Plan, because a year later, you will be in a completely different place in your career.

What have you got to lose? Nothing, and you have everything to gain.



Cheers!
Justin Turner - Marketing Director
The Lyndon Technique
www.TheLyndonTechnique.com 
www.TLTaccess.com - Download your FREE 4-Week Booking Kit

Wednesday, June 15, 2011

Branding: The New Actor Buzzword

Figure it out.
The new buzzword in the acting community is “branding.” Going beyond type, the term “brand” is meant to put your type in the context of show business rather than just casting. If you understand your brand, your marketing package will always be in line.

The American Marketing Association (AMA) defines a brand as a "name, term, sign, symbol or design, or a combination of them intended to identify the goods and services of one seller or group of sellers and to differentiate them from those of other sellers.” In acting terms, it’s the stuff that makes you unique and different from other actors – even those within your type.

Therefore it makes sense to understand that branding is not about getting casting directors to choose you over the competition, but it is about getting casting directors and producers to see you as the unique solution to their casting needs. 

Your actor-brand does the following:

Delivers your “essence” clearly – At the very core of you is a set of qualities that make up who you are as a person. This is deeper than type – this is what you’ve been told your whole life. For example, I have often been described as hilarious, innocent/gentle, and smart, but with a mischievous side to me that runs through it all. From that, I developed my main types: the funny best friend, the slacker/stoner, and the cool geek. My website, postcards, and even resume are whimsical, brightly-colored, and a little sassy. You know exactly what you’re going to get when I walk into the room.

Reinforces your professionalism and credibility – Amy talks a lot about one’s work being “crispy,” which means beings so specific that it pops. Your brand, when it’s crispy, shows that you are on top of your game. No sloppiness, no doubt – your brand says, “I’m a pro, and you can trust me to be on a set that costs $2000/minute to run.”

Emotionally connects to the casting director & producers – Remember, you are in sales, and the product your selling is YOU. Think of a product like Apple: they’re not selling phones, they’re selling the experience of the phone, and you connect on an emotional level. “That’s so awesome!” or “I could do so many cool things with that.” Etc. The point is, you want to be their go-to actor, the face that pops up in their mind when they’re casting your type(s). When they get your postcard, or see your website, you want them to be emotionally affected so that they get excited and start imagining all the ways they could use you as an actor.

There are thousands and thousands of actors that look like you. There are thousands and thousands of actors that are as trained as you, have MFAs, etc. Your type is not unique. Other actors work just as hard as you. Your competition is fierce, and it’s easy to psych yourself out when you walk into an audition room because you’re going to see 20 people who “deserve” this part as much as you. The ONLY special thing about you is that there is only one of YOU – the special qualities and experiences that make up who you are. Figure out who that is, and you’ll have your brand.

Guys, casting directors and producers have a hard job. If you create a clear brand of the kind of actor that you are, you make their job easy – and that means more WORK!


Cheers!
Justin Turner - Marketing Director
The Lyndon Technique
www.TheLyndonTechnique.com 
www.TLTaccess.com - Download your FREE 4-Week Booking Kit

Monday, June 6, 2011

Are You Sacrificing For Success?

While coming back from Raleigh Studios where I had a callback for a film on a Sunday, it occurred to me how much I love to work on a set and how much through the years I have sacrificed for the love of my art. On this one, I sacrificed my entire weekend to study for the original audition on Saturday during the second half of Friday and got the callback on Saturday night - which led to studying all day on Sunday until the call.

Most of you know that my weekdays are very long and I that cherish my weekends. So why use up a precious weekend? Well, when all is said and done, I really am like you... an actor. And, I love to work. I believe that that is both a blessing and a curse. I have been "going at" this beast for 40+ Films and 30+ Television shows since I was a kid. I can also say that I would have been so much further along if I had said "no" to my gut feelings, made stronger choices about my life and sacrificed more when I started.

I must ask you, how many of you truly sacrifice your lives when an opportunity presents itself in order to work? We all know that this is perhaps the most inconvenient career known to man. Auditions and callbacks oftentimes come at the most inopportune time. How many of you rearrange your schedule to allow the time necessary to study and book a job? How much do you really want it? How many opportunities have passed you by when you didn't do the work? Do you really think that there are endless amounts of opportunities out there? What about the auditions that you thought were a waste of your time and then it turned out that that the Producer was extremely established and could possibly determine your fate or think of you in another role on their next project? Every industry professional that you meet is like opening another account. What about practicing on people out there so that when the big audition does come your way, you're ready?

I will tell you this, if you're anxious for your rep to call for feedback, you didn't do enough homework. Let me tell you, the callback is your feedback. Additionally, if you're still studying the script in the waiting room, you didn't do enough homework. If you're still going over your audition in the car on the way home, you didn't do enough homework. If you're still thinking about the audition and running it for weeks after you auditioned, you didn't do enough homework. So many times I'll see actors put down their scripts and say, "I've got it." Ask yourself, "Did you really prepare enough?" Do you guys know how many panic phone calls I get on a weekly basis from actors that are rusty and suddenly get a huge opportunity from out of the blue and need coaching? What about the times that I get a call last minute, when the actor had the script for 2 days prior? If you're saying, "That's not me," then you make me proud. If you're saying, "That is me," then you need to ask yourself, "How competitive are you going to be with so little preparation?" Why even go? You should just cancel. Do you really want anyone in this industry to remember you as just being okay? Don't you want to be on everyone's short list? How serious are you? Are you looking at your career as a hobby, or a true profession?

Trust me, the audition that you didn't work on could very well be the one that can change your life. Do you really want it to go to some other actor? Sometimes all you need is one great role that can change the course of your career. It is said that, "Success always comes when preparation meets opportunity." I do believe that to be true.



Always here for you,
Amy Lyndon
CEO - The Lyndon Technique
_________________________
Amy Lyndon is the Founder and CEO of the Lyndon Technique, a 15 Guideline Map to Booking for actors at all levels. With over 20 years experience and clients at all levels of the industry, Amy provides insights found nowhere else. Check out her totally free 4-Week Booking Kit at www.TLTaccess.com