Thursday, June 2, 2011

SEMINAR: How To Book A Co-Star

Hey guys! The Lyndon Technique and TLTaccess' FREE 4-Week Booking Kit proudly present Amy's first interactive seminar...

How To Book A Co-Star

When: Saturday, June 4th | 11:00am - 3:00pm
Where: Studio City, CA
Rate: $100
CALL with questions/RSVP: 818.760.8501

*SPACE IS LIMITED: As of this posting, there are only 4 spots left!!

ABOUT THIS CLASS: As an internationally-renowned booking coach and the author of The Lyndon Technique: The 15 Guideline Map To Booking, Amy Lyndon is the authority on booking. With dozens of success stories every month, it's no wonder Backstage readers named her one of L.A.'s Best! 

Ms. Lyndon has decided to offer her first public interactive seminar on the topic that tends to plague actors the most: booking those first few Co-Stars. With as little as one or two lines, how can you deliver the necessary performance to earn the booking? Amy answers that and all your Co-Star questions.

Stop spinning your wheels, and find out EXACTLY what you need to do to book those credits! Call the office now as space is limited (4 spots left as of this posting). 818.760.8501

Wednesday, April 13, 2011

Honing Your Edge: The Power & Purpose of Consistent Marketing

Tom Cruise keeps it real.
I’ve been talking to a lot of actors lately that feel like the actions they take never get them direct results. Consequently, they give up on those actions. It can be frustrating when you’ve put time and effort into your business and yet there seems to be no direct results. However, I’d like to challenge some of your ideas when it comes to getting “results.”

In TLTaccess, we talk a LOT about different marketing techniques, but you probably at least know the basics: mailings, postcards, websites, social media, etc. These can all be tedious to keep updated and maintain consistently – especially when “nothing ever happens.” Here’s the thing though: these actions aren’t meant to get you direct results.

“Wait, what? Then why the hell am I doing them?”

Good question. While consistent marketing will help get you results, there will almost never be a direct correlation. What consistent marketing will do is prepare you for when opportunity and preparation meet in the form of an audition, agent meeting, or general.

Let me give you an image: by the advent of the Edo period of Japan, a class of former-mercenaries – Samurai – had been elevated to the highest caste system in the society. These warriors were renowned for their fierce military prowess and ethical code of honor. Their symbol was their weapon, the samurai sword. Samurai kept their swords razor-sharp; so sharp, that many on the receiving end claimed that a cut from a samurai sword didn’t even hurt at first because it was so freakin’ sharp. Samurai would spend hours and hours sharpening and honing the edge of their swords knowing that when it came time to do battle, their weapons would carve through any barrier of armor like it was warm butter. This elevated them from being careless or lazy mercenaries to being legendary warriors.

Consistent marketing isn’t your prowess on the battlefield. Consistent marketing is the long hours you put into honing the edge of your career. If you have clearly typed yourself, then doing mailings and casting workshops and creating one-sheets keeps that sharp. So when you walk into an audition room, you are the sharpest version of that type in the room, so clearly defined that it’s impossible to ignore. Guess what? You’re hired. When you walk into an agent’s office and you have exercised the muscle of razor-sharp self-promotion, the agent will start trying to convince you why you should sign with them, not the other way around. (No joke: a TLTaccess.com member just had 4 agent meetings and every single one made offers and follow-up calls essentially fighting over him!)

Guys, hone your edge. Stay consistent, but just remember that your marketing is not the battlefield – it is what prepares you to be a legendary warrior. Er, actor. :-P 

Friday, April 8, 2011

Vote for Amy Lyndon

Hey guys! This is Justin Turner, Amy's Marketing Director, and I am commissioning you for support!
Guys, let's pump Amy up!! Last year's runner-up, this year's winner! Vote for Amy Lyndon under Cold-Reading for Backstage's Readers Choice Awards Los Angeles.
http://www.backstage.com/bso/news-and-features-bulletins/vote-for-back-stage-s-2011-readers-choice-1005109632.story

Friday, April 1, 2011

Booking Is A Separate Beast!

Acting vs. Booking. Totally different, both formidable.
In all the years that I have been working as an actor, I cannot recall ever completely duplicating my audition during a shoot. Inevitably something gets changed. So much so sometimes I think to myself, "This is so different from my audition, why did they even pick me?" The answer is simple. Booking is a separate beast! When you understand that booking a job is not necessarily how you're going to shoot the job, then you will start separating out the two and see booking as it's own art form. Trust me on this guys, I have booked over 40 films and 30 television shows in addition to helping actors book when I was a personal manager for 9 years and personally coaching 1000's of actors over the years and witness them booking big jobs!

So what constitutes a booking? Well, it would take an entire "War and Peace" gigantic book to describe that one to you, but what I will tell you is that you have to be dynamic. Actors are so afraid of "going over the top" that they actually put a cap on their own performance. Did you know that 'going over the top' is simply not being in truth? If you are in EXACT TRUTH according to the writer's intent and you are in the tone and style of the show or film, then why are you hitting it at a comfortable 7 when you should be hitting it at a 10+ to take the job? Why get all dressed up and inconvenience yourself to get to an audition and not go there to book it?

Instead of running your scene with anyone that will help you and flattening the hell out of it, why not section out your script and work your transitions and see if you actually know where this is for you and if you understand exactly what you are saying and feeling? Look for the transitions and keep switching them effortlessly like a precision driver. If you run the lines, then they will sound like lines run.

Another thing that constitutes a booking is knowing what you are doing. Why would anyone hire you if you don't know what you doing? Trust me, the last thing a casting director wants to hear from their boss is that they messed up by bringing you into their producer session and onto a set when you didn't know what you are doing.

Also, are you prepared to shoot the scene right there in the office? If not, then don't go to that audition. This is an add water and stir business people. I'm sorry, but no one cares about your process. Are you there to deliver the goods or not? Stop thinking that you're going to get a second take or an adjustment to help you hit it exactly where they want you to be. If 6 actors are brought in for one job and 5 actors get it on the first take, why would they bring back the 6th actor who needed an adjustment? Be logical. Look at this business as a business. If the tables were turned, would you do business with you? Are you conducting yourself as a business? Are you really ready to work? This isn't a joke. This is the real deal. Information is power!

Here's to booking big!
xoxo
Amy Lyndon
CEO - The Lyndon Technique
http://thelyndontechnique.com
818.760.8501

Thursday, March 31, 2011

Get With The Program!

Hey guys!

Justin Turner here, and I've got a little story for you. Amy had a potential coaching client who backed out because they couldn't afford the fee for private coaching. They were utterly dismayed and asked, "Is there ANYTHING else I can do to improve my booking?"

Seriously? Get with the program!

Guys, private coaching with the top booking coach in Los Angeles ain't gonna be cheap, but that doesn't mean you can't get your self in gear and start booking. The Lyndon Technique has a vast amount of resources to offer you for every budget. Don't be a dope -  get with the program:

  • THE BOOK - $14.95 - The Lyndon Technique: The 15 Guideline Map To Booking - This book goes into detail of the technique that Amy uses in her coaching and classes. Start here. - $14.95
  • AUDIO LECTURES - $5 - $20 - These lectures cover EVERY aspect of the industry, from resumes and headshots to taking a meeting and auditioning
  • TLTaccess.com - $9.95 - $29.95 - Seriously, you guys have missed the boat on this one. For $29.95 you get access to dozens of articles, audio lectures, interviews with industry professionals, a forum to ask Amy and myself a question on anything, and even the chance to earn a FREE coaching session every month! There is NOTHING else out there like this, and it gives you unprecedented access to Amy and her technique. Join now
  • CLASSES - $50 - Amy's classes aren't acting classes, they're booking classes. Every student works until they get their scene right "on the first take." The statistics prove it: Amy's students who regularly take class become part of the top 1% of working actors.
  • CAREER CONSULTATION - $100 - Sit down with Amy, get your package in order, and Amy will help you get in touch with her industry contacts for representation. This consultation takes a brutal look at what you need to do to start working.
  • PRIVATE COACHING - $100/hr - Amy is the best booking coach in LA, and her name carries weight in the industry. Take one coaching session, and your approach to auditioning will change forever. (BTW, TLTaccess.com Series Regular Members get to watch videos of coaching sessions over and over - reinforces that skill for better results)

So as you can see, the actors who get with the program are going to book, and those that don't are going to struggle. This isn't rocket science - Amy has made a specific, measurable, repeatable technique available to everyone at any budget level. So don't wait any more! Get with the program today, book your auditions tomorrow.

BOOK BIG OR GO HOME!

The Technique Works - If You Work It!

Always here for YOU!   
Justin Giddings 
Marketing Director

If you're interested in more information about Amy's 15 Guideline Map To Booking Technique, get the book http://thelyndontechnique.com, get into class or set an appointment for private coaching by calling the office 818.760.8501

Friday, March 4, 2011

TLT FEBRUARY BOOKINGS


BOOK BIG OR GO HOME!

If you’re interested in more information about my 15 Guideline Map To Booking Technique, get the book http://thelyndontechnique.com, get into class or set an appointment for private coaching by calling the office
818 760 8501.

The Technique Works - If You Work It!

XOXO
Amy Lyndon
CEO – The Lyndon Technique

ALL THESE BOOKINGS IN FEBRUARY 2011!
Fernanda Romero Booked a SERIES LEAD in RPM shooting 13 Episodes in Miami and a Lead in the Feature Film PENDEJO!
Check out my student LIZA LAPIRA in TRAFFIC LIGHT on FOX!
Ross Lynch Booked a Series Lead in the Disney Pilot AUSTIN AND ALLY as Austin!
Mike Pfaff Booked a Lead in the Film REX and a Series Regular in the Web Series CASTING OFFICE!
Jason Kelley Booked a Co-Star in the Pilot COMMON LAW!
Roe Moore Booked a Supporting Role in the Feature Film MISGYNY!
Ted Monte Booked a Supporting Role the Feature Film THE ICE AGE!
Sara Castro Booked a Lead in the Film LOSS!
Kimberly Dollar Booked a BURLINGTON COAT FACTORY Commercial!
Michael Beardsley Booked a Lead in the Film BLIND DATE!
David Miller Booked a Co-Star in JON BENJAMIN HAS A VAN!
Clint Jung Booked a Lead in the Feature Film BLOODLET and a VISA Industrial!
Alexandra Manea Booked a Commercial for FOSTER GRANT SUNGLASSES!
Dante Spencer Booked National TARGET and CHASE Commercials!
Brian Scott Booked a Supporting Role in the Film LUXE!
Riley Beres Booked a Principle Role in a HOMELESS PSA!
Pason Booked a Supporting Role in the Feature Film BLACKGATE!
Debbie Kagy Booked a Lead in the Film INFECTED!

NEWSLETTER - Let Go!

One of my biggest notes in class is about letting go. I find that if an actor has too much scene study training, the first take is usually a rehearsal. You need to get out of the mindset that you’re going to get more than one shot. If you’re doing the right homework, then by the time you get to the audition, in the waiting room, you should be just setting up your “Opening Emotion,” “Who Am I Relating To,” and creating the “Environment.”  If you’re still “running your scene” in the outer office, then you didn’t do enough homework. Find a way to clear your head and get to zero before you set up the 3 Guidelines and pull out your pom poms and GO! Trust that you’re enough exactly as you are and stop thinking about what anyone expects. Have the confidence in knowing that you are “invited” as a guest and it is your time to shine. Stop the worry madness and get on your horse and ride.



XOXO
Amy Lyndon
CEO - The Lyndon Technique
http://www.TheLyndonTechnique.com